Thanks to the laboratory's modern equipment, a painting can be subjected to analysis using infrared reflectography, Wood's light, a stereoscopic microscope, IR spectroscopy and other instrumental techniques.3 e 4 - Microscopic analysis to examine the signs of ageing in the paint layer: the nature of the craquelure (natural or artificial - deep or superficial), the pigments (crystallinity, purity and size), restoration and other factors.Wood's light and monochromatic lights permit an evaluation of the extent to which the painting has been restored, touched up and overpainted, as well as the identification of various fluorescent substances.7, 8 e 9 - Infrared reflectography permits an in-depth examination of the painting bringing to light underdrawings or grids, pentimenti, the depth of the craquelure, and identification of restoration work or the use of different materials.Reply I do estate sales but have come across several prints. My client was in New Orleans in 70's in Catholic seminary. I've done appraisals for insurance and sales for 21 years but am baffled at these. -- Mel I was going to add dates I'd put them on the back of the photo.
In detail: 1) with the spectroscopic dating of the wooden stretcher once proved its originality 2) with stereo microscopic analyses for the study of the painting layer: the drying of the paint binder, the craquelure, the sign left by the stretcher, etc.I've been selling signed prints for quite some time now but was toying with the idea of dating them as well.Should I date them with the date of sale or date the photo was taken?IR spectroscopic analysis permits the analysis of various materials to ascertain their compatibility with the presumed historic period: pigments, binders, glues and varnishes. The laboratory also digitalizes images obtained by the various techniques, carries out examinations under reflected and raking light, and performs microchemical analyses.Certificates are issued with a clear and exhaustive report on the results of the analyses.